Parallel editing (cross cutting) is the technique of alternating two or more scenes that often happen simultaneously but in different locations. If the scenes are simultaneous, they occasionally culminate in a single place, where the relevant parties confront each other.
Look the example as below:
The Godfather (1972), parallel editing is used to develop theme. The cross cutting back and forth during the baptism scene shows the contradictory lives of Michael Corleone (Al Pacino). In the church, Michael accepts God and renounces Satan. But parallel editing shows hitmen recruited by Michael murdering his enemies. The paradox is evident. Whereas in one scene Michael fulfills his religious obligations, in the other he carries on his mafia duties.
Silence of the Lambs (1991). It is one of the most famous occurrences of cross cutting in American cinema. It happens in the film’s third act and spoils a big surprise, so if you haven’t seen the movie and if you don’t like spoilers, watch the film first. It is a must-see.
Why use it?
To add interest and excitement to an otherwise boring sequence. Parallel editing is often applied to create suspense.
When use it?
Implement cross cutting when you’re confident it’s going to work and you have the budget for it. Notice that in the two versions above the plot point is the same: the woman is stabbed. Everything else is potentially superfluous.
So if you have the budget, shoot both scenes and apply parallel editing. If you don’t have the budget, abridge the shower scene and move as quick as you can to the bedroom and the stabbing.
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