1. Creative of Kenetoscope
During 1888 in New York city, the great inventor Thomas Edison and his British assistant William Dickson set out to create a device which should record moving pictures.
Thomas Edition’s lab with the intention of the working on a collaborative project that would combine the video of EDS apraxia scope with Edistion’s photograph, this exchange give Edistion the idea for his Kinetograph and in 1889 decommission William Dickson and the Kinetograph came into the moving picture.
The Kinetoscope was designed for films to be viewed by one individual at a time through a peephole viewer window at the top of the device.
Although it was not the movie projector, but its creation of simulated movement was the foundation for what would become a standard for film production and projection.
2. The Projecting Kenetoscope
Over the course of 1895, it became clear that the Kinetoscope was going to lose out on one end to projected motion pictures and, on the other, to a new "peep show" device, the cheap, flip-book-based Mutoscope. In its second year of commercialization, the Kinetoscope operation's profits plummeted by more than 95 percent, to just over $4,000. The Latham brothers and their father, Woodville, had retained the services of former Edison employee Eugene Lauste and then, in April 1895, Dickson himself to develop a film projection system. On May 20, in New York City, the new Eidoloscope was used for the first commercial screening of a motion picture: a boxing match between Young Griffo and Charles Barnett, four or eight minutes long. European inventors, most prominently the Lumières and Germany's Skladanowsky brothers, were moving forward with similar systems.
More detail : http://victorian-cinema.net/edison
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